Eleine is symfonic metalband from Sweden. Madeleine Liljestam (vocals) and guitar /vocals Rikard Ekberg (guitar/vocals) started up this band in 2014. They launched some singles and 2 albums they toured all over Europe and even went to Japan. Eleine is back with a brand new EP called All Shall Burn.
31/01/2020, Magasin 4 presents: RABIA SORDA (MX/DE) + MOAAN EXIS (FR) + FEATHER BOX! It will be a great Dark Electro Industrial party!
A cold curiosity from the City of Light, Heartlay creates aggressive, cinematic and nocturnal atmospheres inspired by 90's industrial rock, alt metal and synth pop music. It’s the creative outlet of musician and producer Aaron Sadrin. Fans of Nine Inch Nails and Gary Numan (from 2000 on...
I saw this band on stage at Kracken Metal Rock Fest 2018 and loved them. They are French and they launched a new album! Time to unveil their potential towards the death metal, metalcore and hardcore market!
And there is more upcoming from our female fronted Symphonic metal friends from Spain! New Basque Language Single & Official Video “Otoi”
We loved the album, we loved their gigs and now there is a very cool clip! Our electro witches are clearly ready to conquer the world!
Cellar Twins is a metal-influenced rock band from Belgium, founded in 2014. Known for their catchy melodies and powerful stage performances (I saw them at Kraken Metal Rock fest last year and was blown out of my socks), the band created its own musical style by merging diverse influences such as ...
The music comes from a German duo. They make as the title says it dirty dark electro and with this EP it sounds as if they created their own anthem!
Chemical Sweet Kid is a French industrial rock/metal trio. I loved their previous songs and was really looking forward to review their newest album! The fact that they will tour in Germany with Project Pitchfork and will play at the Amphi Festival edition 2020 already says something about what th...
Just like Koen Asaert who reviewed this album in Dutch, I have also an history with this album. I just can’t remember if I reviewed it in 1991 or the Trisol issue (2003) of it or maybe I got a listen to it via an ex with an excellent taste of good music. Fact is that I can’t find this...
